European Southern Observatory

Astrophotographer, Stéphane Guisard, created this
image of the Milky Way using a simple digital
camera attached to a 10-centimeter telescope in
Atacama Desert, Chile. The starscape is an
assemblage of 1,200 images comprised of 52 fields
of view.

The sky portrait is part of the GigaGalaxy Zoom
project created by the European Southern
Observatory to celebrate the 400th anniversary of
Galileo's first viewing of the night sky through a
telescope. This is part of the International Year of
Astronomy.

For more info and images in regards to the project,
go to:
http://www.gigagalaxyzoom.org/G.html
or
http://dsc.discovery.com/news/slideshows/
milky-way.html
and
http://www.sciencenews.org/view/generic/id/
47320/title/Stellar_panorama

The Fall, 2008

I like obscure films that aren't box office
hits, or get a lot of critical acclaim.

Everyone has a story, and the methods
of story telling vary.

The Fall has a unique story
line in that Roy, a stuntman, is confined
to an LA hospital circa 1915 while
recuperating from a broken heart and a
broken leg. He befriends a young girl,
Alexandria, who is mending a broken arm.
Alexandria becomes Roy's audience as he
weaves an epic tale of bandits and
tyrants, and gradually pulls her into his
dark scheme.

Aside from being visually stunning in the
real and surreal dream-like, unconscious
sequences, it is a touching story in that
youthful innocence, grand story telling
and love can bring both patients back
from the edge.

Aside from there being one too many
fights in the worldly bandit scenes, the
additional cure for brokenness, is the story
created within a story and the bond these
two patients forge around it.

Much like Eugene Atget, photographer Michael Padnos

continues the tradition of being a photographic chronicler

of social and cultural phenomenon by capturing transient

scenes in the shop windows of Europe. He also follows in

the steps of the Surrealists who reveled in Atget’s

photographs of the windows due to the reflections that

gave a double view of the world: inside and outside. This

view also emphasized the Surrealist fascination with

objects, chance, and juxtapositions.

Eugene Atget chronicled the exterior social and cultural life

of Paris in the late 1800s and early 1900s. Prior to and

during the city undergoing a major transformation, Atget

was able to capture the small interwoven medieval streets

before some gave way to grand boulevards. This change in

city streets was dubbed the Haussmannisation of Paris, after

the urban planner, Baron Haussmann who led the

urbanization projects.

Atget photographed continuously throughout the city and

the outer lying areas creating a prolific taxonomy of the city.

Amongst his vast collection are images of shop windows.

To see more of Michael Padnos photographs visit:

http://www.michaelpadnosphotography.com/index.php

or his work at the Panopticon Gallery:

http://www.panopt.com/images-new.php?a=40&all#.

To see images by Atget visit George Eastman Collection:

http://www.geh.org/fm/atget/htmlsrc/

Saturday Afternoon

Saturday Afternoon

I took Ev to see my acupuncturist, Jade the Vietnamese writer/teacher turned student/doctor/ healer. He took him under his wing, indoctrinating him into an ancient healing art. I could only guess that all the time they were in the treatment room, they shared notes on writing. Feeling quite relaxed after the session we returned home, had lunch and Ev has fallen into dream/sleep reverie. I imagine the energized chi pulsating its way through his meridians and disintegrating any old blocks. He is a body of connecting organs.

While he sleeps, I turn to my computer yet again, but this time to do something I’ve not done in a pure and unadulterated way for some time – visual surfing. I start out on the hunt for a particular series of photographs, then quickly meander off in sheer randomness, letting a visual richness carry me away to seas and cultures beyond my reach. All the time I am doing this Gilles Deleuze keeps pressing into my thoughts.

I haven’t been thinking about him for a long time. My conversations with the book collecting Steve, have me harkening back to a time when reading philosophers and hearing their lectures was a steady staple of my diet. I’ve put the philosophical meandering and treatises on hold in order to think like a screenplay writer, investigate the psychology of characters, live experientially, be a part of the process of life rather than the thing of life. I want my visual self and my writing/typing self to co-mingle in a rich abundant vitality.

Deleuze, makes me think of cinema (of course), writing, writing as medicine, the patient as doctor, yes that’s it. I wanted to retrieve the patient/doctor duality Deleuze so passionately wrote of, as if he were writing himself a prescription of health or writing himself out of madness. I am reminded of the potency of this brand of medicine, this life line of communing.

So now that I have the patient/doctor firmly planted in my mind, it is OK to leave it and return to my visual meanderings. Here is where I traveled today with the help of Tewfic El-Sawy.

http://telsawy.tripod.com/Theyyams/index.html

Go to the Gallery and make sure you also check out the section on the Motion. I looked at Prakhar’s Dancing Monks and Buddha’s Apprentices.

There is also a blog:
http://thetravelphotographer.blogspot.com/

The Poet's eye, in a fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes, and gives to airy nothing
A local habitation and a name.

William Shakespeare, A Midsummer's Night Dream

Excerpts from a Winter Diary: Voice of Snow and Floating Lessons, 1996